TESTIMONIALS

"My initial scepticism about working in Wales was not only short lived, but was completely thrown out the window! Let’s face it, it takes at least an hour to get from A to B in London, and for only an extra hour’s travel, I found myself in quiet surroundings, able to focus on my project completely. The journey time was totally irrelevant. Two hours is nothing for the professional focus and candid experience of the staff and technicians at Dragon DI." Steve McQueen, Director, Hunger

"Whilst grading Hunger, I found Dragon DI to be not only a centre of technical excellence, but also a refreshingly relaxed and artistically stimulating environment, with a highly skilled and dedicated staff." Sean Bobbitt, DoP, Hunger

"The Imperial War Museum Film and Video Archive entrusted the restoration of one of our most treasured works, the 1916 film The Battle of the Somme, to Dragon DI in 2006. Because of the film´s age and early popularity, it proved to be a considerable challenge to extract the best possible images from the often damaged and degraded originals. Dragon DI rose enthusiastically to this challenge and it is a tribute to their efforts that this expertly rejuvenated film now enjoys a whole new lease of life." David Walsh, Head of Preservation, Imperial War Museum

"On Seachd - The Inaccessible Pinnacle, Dragon DI provided not only state-of-the-art facilities but also a level of commitment to real perfection all too often ignored in the time-pressured world of post-production. Watching the prints now, it is hard to distinguish between the sections of the film shot on 35mm and on HD and it is testament to Ian Dodd´s cinematography and Dragon DI´s wizardry that whilst Skye´s Cuillin mountain range is always going to look good in epic wide screen, those mountains have never looked so good in cinemas before.  Bravo!" Simon Miller, Director, Seachd - The Inaccessible Pinnacle

"Dragon DI's Rob May was a gentleman, an artist and a technician beyond belief. With Rob it is 100% about the film - which is a nice and refreshing approach. I'm bringing all my films here from now on!" Curtes Mitchell, DoP, Awaydays

"Working with you at Dragon DI for the first time, on the Feature Film Botched was a great experience.Your commitment and professionalism helped create an atmosphere of ease, the result being that you produced a stunning Show Print. We are looking forward to working with you again." Terry Ryan, Producer, Botched

"One of my lasting impressions was being able to go straight from their huge grading room with its 7 metre screen, to a panoramic view of the countryside from their offices. This was not only a pleasure, but most importantly it allowed me to refresh and re-set my eyes." Oliver Irving, Director, How To Be

“I had a great experience at Dragon DI. As well as being world-class in terms of equipment, technical know-how and creative resources, they were extremely friendly and accommodating. It doesn't hurt either to work in a place with 280 degree views of stunning countryside. Try finding that in Soho!” Pat Holden, Director, Awaydays

"I would like to thank Tony Ray and Dragon DI for all their hard work and creative input in producing an exceptional look for the Feature Film Botched." Kit Ryan, Director, Botched

"How To Films are grateful to Dragon DI for their great help on How To Be feature film. The quality scan and grade at Dragon DI were the most competitive alternative to leading Soho based companies including practical and useful problem solving at all times.” Justin Kelly, Producer, How To Be